Canhe is a cross-media artist and researcher whose practice centers on the relationship between technology and human life. Situated at the intersection of critical theory and technology studies, his work investigates how contemporary technologies intervene in, influence, and restructure individual everyday experiences. His research focuses on the tensions between technological power structures, cultural transformation, and the agency of ordinary citizens, particularly examining how dominant techno-narratives reshape individuals’ positions within social structures.

In the next stage of his practice, Canhe aims to shift from a critical observer to an active co-constructor. He proposes a speculative framework grounded in temporary alliances between “ordinary humans” and “ordinary machines,” and plans to explore this concept through practice-based experiments. This approach seeks to respond to the intensifying conditions of digital colonialism and technological hegemony in the context of global systems. His artistic work spans installation, moving image, sculpture, and wearable objects, through which he transforms theory-based research into visual and experiential forms.

Beyond his artistic practice, Canhe has extensive experience in the fields of digital art and cultural communication. He has provided digital art services for organizations such as Adidas International, the National Museum of China, Alibaba, and Cosmopolitan China. In 2022, he was signed as a digital artist by Output. Currently, he is a co-founder of R&C Design Studio, an experimental design practice focusing on methodologies that integrate generative AI and material culture to explore contemporary forms of cultural heritage reproduction.

Additionally, Canhe currently serves as a visiting lecturer at the Central Academy of Fine Arts and Beijing Institute of Fashion Technology, teaching courses on cultural heritage innovative design empowered by GenAI technology, as well as art design courses based on new technologies.

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能祂是一位从事技术与人类关系研究的跨媒介艺术实践者，其创作建立在批判理论与科技研究的交叉地带，关注当代技术如何介入、影响并重构个体的日常生活经验。他的研究核心在于探讨科技权力结构、文化变迁与普通公民能动性之间的张力，尤其聚焦于在宏大技术叙事主导下，普通个体在社会结构中的位置变化。

 

在接下来的阶段，能祂将从批判性的观察者转向积极的建构者。他提出了一种以“普通人类”与“普通机器”之间的临时性协作关系为基础的想象，并计划通过实践进一步验证这一概念，以回应全球化语境下日益加剧的数字殖民与科技霸权。他的艺术创作涵盖装置、影像、雕塑与首饰等多种媒介，致力于将纸本化的理论研究成果转化为可视化、可感知的表达形式。

 

除艺术创作外，能祂亦长期深耕于数字艺术与文化传播领域，曾为Adidas国际、中国国家博物馆、阿里巴巴、时尚COSMO等机构提供数字艺术服务。2022年，他成为Output签约数字艺术家。目前，他正在运营实验设计工作室“反观设计 R&C Design Studio”，聚焦生成式AI与物质文化交织的方法论，探索当代表达下的文化遗产再生产机制。

此外，能祂目前以客座教师的身份于中央美术学院与北京服装学院授课，教授GenAI技术赋能下的文化遗产创新设计与以新技术为基础的艺术设计课程。